PORTFOLIOS > Infrastructure Mashups

Infrastructure Mashup_12: Road Barrel Oblique Pyramid @ Toledo Museum of Art CVA
Graphite, pastel and inkjet print on paper
22x30 inches
2019
Infrastructure Mashup_11: Fiber Optic Conduit Stupa @ Museo Morandi
Graphite, pastel and inkjet print on paper
22x30 inches
2018
Infrastructure Mashup_10: 1 Mile of Water Main Pipe @ MoMA
Graphite, pastel and inkjet print on paper
22x30 inches
2018
Infrastructure Mashup_9: Endless Traffic Cone Columns @ New Museum
Graphite, pastel and inkjet print on paper
22x30 inches
2018
Infrastructure Mashup_8: Farm Sprinkler @ LACMA
Graphite, pastel and inkjet print on paper
22x30 inches
2018
Infrastructure Mashup_7: Highway Light Dandelion @ LACMA
Graphite, pastel and inkjet print on paper
22x30 inches
2016
Infrastructure Mashup_5: Electric Road Sign Dharma Circle @ ARTIC
Graphite, pastel and inkjet print on paper
22 x 30 inches
2014
Infrastructure Mashup_6: Transformer Pile @ PS1
Graphite, pastel and inkjet print on paper
2013
Infrastructure Mashup_4: Electric Road Sign Song Lyrics @ MassMOCA
Graphite, pastel and inkjet print on paper
22 x 30 inches
2013
Infrastructure Mashup_3: Traffic Light Hedge @ PS1
Graphite, pastel and inkjet print on paper
22 x 30 inches
2013
Infrastructure Mashup_2: Radio Tower @ MOMA NY
Graphite, pastel and inkjet print on paper
22 x 30 inches
2013
Infrastructure Mashup_1: Road Barrel Orb @ MassMOCA
Graphite, pastel and inkjet print on paper
22 x 30 inches
2013

This series of artworks was conceived as an opportunity to simultaneously explore visions of 3d installation projects and particular drawing techniques for visualizing such ideas. Just prior to beginning this project I visited a number of notable art museums, including the Museum of Modern Art and PS1 in New York City, Mass MOCA in North Adams, The Art Institute of Chicago, and the LA County Museum of Art in Los Angeles. At these various museums I found particular inspiration in Arte Povera, ‘readymades’, and the museum spaces themselves. During this same period of time I was drawing urban environments and contemplated the impermanence of urban infrastructure. This led me to conceive of various installation projects based on the possibility of experiencing infrastructure in the context of museum spaces; infrastructure as specimen, artifact or sculpture. Simultaneously, as an artist with a profound connection to pigment, marks, paper and the history of drawing, I was compelled to explore the idea of the ‘project drawing’, something akin to the drawing work of artists such as Christo and Jean Claude or Los Carpinteros.